We are an early music band looking for inspiration both in the art of the past and in its encounter with contemporary music. We believe that dialogue between genres and cultures allows us to better understand the world - that is why we introduce our listeners to the music of past eras, which remains fresh and full of life. Illusion, so popular in Baroque painting, in our opinion, also perfectly describes the music of those times - imitating speech, gestures, nature, blurring the boundary between acting and real emotions. Our istagram
A graduate of the Fryderyk Chopin University of Music in Warsaw. She also developed her skills at the Music Academies in Katowice and Wrocław. Student of eminent harpsichordists - Leszek Kędracki, Marek Toporowski and Alina Ratkowska. Founder of the Muzyczna Przystań Foundation and school, where for years she has been involved in the promotion of music education as well as comprehensive musical education for students of all ages. Participant in the cultural life of Warsaw - she performed in series such as such as "Baroque on Bednarska", "Early Music in Wilanów" and others. He is fascinated by French harpsichord music, which he will also present in our concerts
He studied viola da gamba at the Academy of Music in Krakow with Prof. Marcin Zalewski and at the Academy of Music. K. Lipiński in Wrocław with Petr Wagner and Kazimierz Pyzik. He also improved his skills during master classes and private lessons with such teachers as: M. Caudle, B. Hoffman, J. ter Linden, J. Manson, J. Meder, P. Pandolfo. He collaborates with early music ensembles: Ars Cantus, Ars Nova, Canor Anticus, Capella Cracoviensis, Collegio di Musica Sacra, Collegium Vocale, Concerto Pollacco, Diletto, Il Giardino Armonico, Narol Baroque, Pandolfis Consort Wien, Orchestra of the Golden Age, Sabionetta, La Tempesta, Tempus. He recorded eight albums of early music with various bands. In addition to playing the viola da gamba, Paweł Zalewski is also involved in popular music. As a guitarist, he is a regular member of the bands Ania Rusowicz, Piotr Zioła, Rita Pax, Alters. As an instrumentalist, composer and arranger, he collaborates with, among others, with Paulina Przybysz, Kasia Stankiewicz, Ania Rusowicz. He also composes music for animated films, documentaries, advertising films and theater (permanent cooperation with the Stanisław Ignacy Witkiewicz Studio Theater in Warsaw)
After completing a master's degree in modern violin studies at The Karol Szymanowski Academy of
Music in Katowice and receiving a scholarship at Koninklijk Conservatorium Den Haag, she
decided to dedicate her musical career to historically informed performance and completed her
second master's degree in baroque violin.
Alicja has actively participated in numerous workshops and masterclasses, providing her with the
opportunity to learn from esteemed artists such as Rachel Podger, Lars Ulrik Mortensen, Jaap ter
Linden, Giovani Antonini, and Enrico Onofri.
She was a member of the European Union Baroque Orchestra (2013-2014), I Giovani della Montis
Regalis (2012), and Génération Baroque (2011).
In recent seasons, she has collaborated with various ensembles specializing in period instruments,
including {oh!} Orkiestra Historyczna, Concerto Copenhagen, Royal Baroque Ensemble, Wrocław
Baroque Orchestra, and Kore Orchestra. Since 2018, she has been a member of the Polish Royal
Opera baroque ensemble.
Alongside Polish and European ensembles, she has made numerous radio recordings for stations
such as: BBC, RBB, Bayerische Rundfunk, Radio Klara Belgium, Danish Radio DR P2, Swedish
Radio P2, and Polskie Radio.
She often ventures beyond classical music conventions, collaborating on projects outside the
classical genre. Among the acclaimed recorded works she has participated in, notable mentions
include the jazz Chord Nation Orchestra led by Nikola Kołodziejczyk (Fryderyk Award 2015 for
Best Phonographic Debut) and Barok Progresywny Suite (Fryderyk Award 2016 for Best Jazz
Album).
Current concert programs
Dance suites and more (Couperin, Rameau, Bach) Dance suites accompanied the everyday life of the court. However, this seemingly entertaining form was often an opportunity to show off virtuosity or a basis for works of a completely different nature and purpose.
Enetic echoes in Warsaw - music by Jarzębski (Jarzębski)
is one of the most recognizable Polish composers of the 17th century. In his music we can see fascinating references to composers from distant Venice.
Venetian music of the 17th century (Ciconia, Mainerio, Lappi, Monteverdi, Frescobaldi) Referring to the previous program, we will present you a slightly different face of Venice - music accompanying balls and dancing - especially during the carnival period, so unique for this city.
Z odejściem zawsze związana jest niesamowita dawka emocji, wspomnień. Za pomocą dzwięku oraz przepięknych obrazów poruszamy ten temat. Pożegnanie to także nowy początek dlatego jest to prawdziwe przedstawienie dla duszy
Italian and French baroque music were opposites. France, which values delicacy, refinement of ornaments and textures in its music, was confronted with Italian music, full of virtuosity and fire. However, both of them conquered Europe.